Queen Elizabeth Hall, London
It was a fine London day and I was excited to be on my way to see Patty again.
Under the Appletree Roots Festival at Cadogan Hall back in 2016.
Patty has successfully battled cancer since then (treatment for which temporarily robbed her of her voice) and it was a great relief to see her return with a new (self-titled) album at the start of this year - her first since Servant of Love back in 2015.
saw Patty back in 2013.
Erika Wennerstrom opened the show with a solo set of deep acoustic songs, drawn mainly from her latest album, Sweet Unknown.
Patty took to the stage half an hour later, accompanied by David Pulkingham on guitars (I have only ever seen her without him once - at Codagan Hall, 2016) and Conrad Chocroun, multitasking on bass, drums, keyboard and guitar.
10 (from 13) of the new songs made it on to the set list. The songs are powerful on the recorded versions but their strength is further enhanced when played live; there is a rawness to Patty's delivery which switches the connection to a higher gear.
Ostensibly, the new album appears to be a very personal work - and it is, although the focus is more on Patty's thoughts about her country rather than about herself. That is not to say they are overly political; as usual with crafted songs they are open to the interpretation of the individual listener.
Mama's Worried is a smouldering opener, setting the scene perfectly. Standing is the only older one of the opening five songs; she never has a need to rest on her laurels and is always prepared to build a set list based heavily on the newer material.
The evening flew by, as usual. The presence of the mandolin on the stage had already signalled the closing song of Shine a Different Way and this closed the main set in wistful - yet optimistic - fashion.
Boys From Tralee
Had a Good Reason
Long Ride Home
Where I Come From
The Strange Man
When It Don't Come Easy
Shine a Different Way
Up to the Mountain (MLK Song)